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event in Rome

Letterature Festival Internazionale di Roma – 2019 XVIII edizione
IL DOMANI DEI CLASSICI

GENERATIVE ART

FUTURING PAST


Organized by
Celestino Soddu e Enrica Colabella
ARGENIA Association and GASATHJ
Generative Art & Design Lab

Roma, Casa delle Letterature,
Piazza dell’Orologio n.3
Venerdi’ 7 Giugno 2019

LIVE STREAMING at https://www.twitch.tv/celestinosoddu the 7th of June 2019

You can download for free the E-BOOK at https://artscience-ebookshop.com


PROGRAM:
h. 9:30

Celestino Soddu
Italia, Generative Art & Design Lab, Argenia
Baroque algorithms, a vision towards the future

Enrica Colabella
Italia, Generative Art & Design Lab, Argenia
Generative Art , a Poetic Vision

Yiannis I Papadopoulos
U.K., University of Hull, Computer Science
Meeting Epictetus and Seneca in an Infinite Virtual Stoa
Robert Spahr, Michele Leigh
USA, Southern Illinois University, Dept. of Cinema & Photography
Generative Processes in Art

Nicolas Reeves
Canada, University of Quebec in Montreal, School of Design
Weaving the world with waves : The spherical echoes of stone cosmologies

Jônatas Manzolli, Elena Partesotti
Brazil, University of Campinas, NICS, Music Department
The sound in space as a metaphor for mindscapes: generative creation and performance

h. 14:30

Asako Soga
Japan, Faculty of Science and Technology, Ryukoku University, Otsu
Body-part Motion Synthesis System for Discovery Learning of Dance (paper and Dance Live performance)

Małgorzata Dancewicz, Krzysztof Pawlik
Poland, Institute of Cultural Studies at the University of Wroclaw; INIRE
Drifting down and up the meaning

Gabriel Maldonado
Italia, Musician
Event Horizon

Celestino Soddu, Enrica Colabella, Nicola Baroni,
Italia, Generative Art Lab, Argenia; Univ. Bologna
Generative Algorithms, a Flexing Mood in
Space / Time Numbering

Arne Eigenfeldt
Canada, School for the Contemporary Arts, Simon Fraser. University, Vancouver, Musician
Collaborative Composition with Creative Software

Nicola Baroni
Italia, Universita' di Bologna, musician, cellist
Hyper-instruments. Interactive systems for real-time composition, and post-classic pedagogy

Robert Spahr, Michele Leigh
USA, Southern Illinois University, Dept. of Cinema & Photography. Performer
Liminal Lunch on the Grass

Andrea Wollensak
USA, Connecticut College, Director of Department of Art, Ammerman Center
Mediascapes and Materiality

Roger Alsop
Australia, Univ of Melbourne, Faculty of Fine Arts and Music
Tracing Time to Measure Space

Online Users

8 online users

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INFO

GA2022, the XXV Generative Art Conference is planned in presence at the Borrominian Hall of Vallicelliana, Rome, the 12-14 of December 2022. The parallel virtual one at METID, Politecnico di Milano University. Visit the website https://generativeart.com for more info, for looking at the virtual 3D exhibition and for reading for free the book of proceedings of last events. You will find the call for papers in generativeart.com website.

at https://artscience-ebookshop.com you can download the books of the proceedings of the last 24 Generative Art conferences (1998-2021), the books of Celestino Soddu and Enrica Colabella in Italian and English and the book DIGITAL CIVILIZATION, Where Trees Move (2019) and Generative Art - Futuring Past (2019).

If you like to propose an article of yours about your generative approach, you can do it by sending your proposal to celestino.soddu at generativeart.com. If your proposal will be approved by the scientific board it will be published (it's free of charge)

If you like to be in the mailing list of Generative Art and GASATHJ, please send an email to celestino.soddu at generativeart.com. We will send you no more than 3 emails/year

ARTICLES 7.6,5,4,3,2,1 issues, in progress

  1. interview with Celestino Soddu about creativity and AI
  2. Orogeny of the Mists
  3. The Analogies of Science and Art: Generative Art in Chemistry
  4. Music and Metacreation
  5. In the beginning was color
  6. Twisted bodies: annihilating the aesthetic
  7. Topology Imagination Creativity and Generative Approach
  8. Anatomy of the Creative Process in Viento y Mar
  9. Open Waters [NorthWest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
  10. The Regeneration of the Earth After Its Destruction by the Capitalist Powers
  11. A Generative Art of Our Own Evolutionary Transmutation
  12. Found Systems
  13. The Slow Cancellation of the Future
  14. Music and Image Synchronisation. Acoustical and Optical Expression in Paplanina
  15. Kobane#3 for cello and interactive system
  16. Towards Generative Art and Brain Computer Interfaces
  17. FilmGrain
  18. The Style Machine: digital tactility through generative collaboration
  19. Timaeus: A digital art studio inspired by antiquity
  20. Designing Generative Art. Mosaic concept, Creativity, and Idea in Generative Design
  21. Deconstruction/Reconstruction: A Pedagogic Method for Teaching Programming to Graphic Designers
  22. Random Hexagons and Other Pattern Continuities
  23. Surface and Structural Generative Processes in Music
  24. Automatic Synthesizing System of Choreography for Supporting Contemporary Dance Creation
  25. Degenerative Cultures
  26. Interview: Gordon Monro
  27. Coord - generative music improvisation
  28. Interview: Ming Xi Tang
  29. Generative semiotics at the foundations of literacy
  30. Interview: Umberto Roncoroni
  31. DRIFT – Virtual Sand in augmented Space
  32. Generative Dreams from Deep Belief Networks Generative Art and Deep Learning
  33. Generative experimental shortfilm
  34. Generative Film and Theories of Montage
  35. Futuring Past
  36. Johannes Vermeer : A generative artist ? So What ?
  37. Interview with Frieder Nake
  38. Generative Design Teaching 2013-14
  39. interview with Celestino Soddu by Nathan Shapira and Ricardo Gomes
  40. Wearable: A Generative Process for Surface Design
  41. Methodological approaches in the development of programs for generating images
  42. Journey through Mathematical Parallel Universes
  43. Interview with Georg Nees
  44. MusicaBlu. Generative Music Design
  45. Interview with Kurd Alsleben and Antje Eske
  46. Phillotaxis of the Vatican Pigna
  47. Computer Lithography - an Example of Science Art
  48. A Generative and Interactive Framework Enhancing Music Performances
  49. 3D Fractal Animations
  50. INIRE re-membering re-called - a second person narration in multimedia singing performance.
  51. Artificial Beings for Generative Art
  52. Paneling methods on complex surfaces
  53. Generative design: an interpretation
  54. Rhythmus in folding a page
  55. Interview with Herbert W. Franke
  56. Eternal Recurrence, Temporality, + Technology: how contemporary Computer Art can learn from early modes of Representing Time
  57. Generative Design
  58. Mandala Cruft
  59. Bio-Structural Analogies: Arms, Wings And Mechanical Things
  60. The Process of Integrating Polymedia in Blooms and Death
  61. The unit of vision : the concept of opsieme
  62. Variations around the Dragon Curve
  63. Data Mining, Forever, Green Architecture
  64. London Orbital
  65. Arlequi
  66. Use of Art Media in Engineering and Scientific Education