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Linda Bowman A BUON INTENDITOR POCHE PAROLE 1/s




Course of Generative Design - Celestino Soddu & Enrica Colabella

Politecnico di Milano A.A. 2013 - 2014


DEFINITION OF TRANSFORMING RULES 2/5


t­

o::

(.{)

0

+-'


/

1 Start from a point \

and progress enlar- I I ging the

\ dimension of 1

"-..the structure./

..........

/

I Exagerate the \

usual proportion at

I the big inning of the I

\ element. 1

/


/

1 Develope a \

structure from a

I starting point using I

\ the golden section 1

"-.. rules. /

..........

b

LU Create a

"' \

/ '\

I \

I

"'

t two or more

z complementary

0 connection I

Combine and extend

Itwo or more elemen­

Pu
parts in the same I

0

+-'

:c

z

LU

0...

0

0

+-'

between 1
the parts. /

.---

/

I Extend and \

exagerate the point

Iof contact that users I

\ ts in contrast.

"'

I "' \

Divide in a rigorous

I and sharp way. I

\size and geometry.1

/

.---

/ Use

1 differents layers \

to allow a soft veiled I I discovering of

\ have to approach. 1 \ I


"' /. /

\ contents or

images.

LU "' / "' "'


0 \ I Put an \

> Cut in the half, I unrelated element I

0 I as a section of the I in the middle of

+-'

1 Divide in an \ harmonic relation- I ship between solids

s: element.

0

I \ another one.

\ and voids. 1

:c / "' /

.---

/ "' "' /


0 I \ I Fold in an \ 1 Fold in a structu- \

0 Fold following the un predictable Ired way tht allow to I

0 vain of the and irregular way. obta1n a

+ - '

\ material in a

I. \ !don't follow pat- 1 \ precise planned 1


:c "-..sinuous way. /. "- tern) / result.

"' / "' "'



0 Direct all the \ I Reduce the \ Soft conclusion \

z elements to a I element and put the I of the structure

0 unique point. scaled ones inside reaching a

s: I \ the original one. 1 final point. I

:c / /. /

.--- .......... .---


Course of Generative Design - Celestino Soddu & Enrica Colabella

Politecnico di Milano A.A. 2013 - 2014


FIRST PROJECT 3/5


Subject Catalyst Paradigm Paradigm: Logicalconnections

1ST PROJECT

Intuitive

"Toothbrush" Harmonic

1st SCENARIO

After link my attri - butes to the elements in the paradigm,that I percieve as in a specific

relation between them,I

start associating to each element of the "toothbrush" those

logical connection.

Intuitive

Unexpected

put an unrelated element in the

............."""'_,. middie

/

Intuitive

convey all the elements

2nd SCENARIO

Unexpected

to a point ........_ Intuitive

Referring to the same

paradigm,I decided to

re-associate some of my attributes,or keeping the same using a different

transformation rule.

U mechanism for defined results.

Intuitive convey all the ele­ mentstoa point

Course of Generative Design- Celestino Soddu & Enrica Colabella

Politecnico di Milano A.A. 2013- 2014


SECOND PROJECT 4/5

Subject

Catalyst

Paradigm

Paradigm: Logicalconnections

2ND PROJECT

"PLACE FOR WATCHING THE FLIGHT OF BIRDS"

1st SCENARIO Unexpected


As in the fist project,after define

the logical connections

of the paradigm,I'll start associating them to each element of the "place for watching the flight of birds"

Unexpected

Intuit ive

Intuitive hilight the foothold

Unexpected

Harmonic

Harrnonir define a proportion between the elements

Unexpected

create a perseption of double ending

2nd SCENARIO

Referring to the same paradigm,I decided

to re-associate some of my attributes,or kee - ping the same using a different transformation

rules.

Harmonic

Unexpected

Intuitive

convey all the elements to a common point

D

D

Harmonic

define a proportion between the elements,from big to small

Unexpected

put one element

inside the other

Intuitive

cut the structure in the middle

Harmonic


Hdrtnoni

define a proportion between the elements,from big to small

Course of Generative Design- Celestino Soddu & Enrica Colabella

Politecnico di Milano A.A. 2013- 2014

3rd SCENARIO

Unexpected


Intuitive simplify the shapes

As in the fist project,after define

the logical connections of the paradigm,I'll start associating them

to each element but this time I decided to start from the symbolic shape of a tree.


)

(

Harmonic balance of solids and voids

Harmonic '

Unexpected

Reduce the core element and put the scaled ones inside the original ones.

Harmonic

soft conclusion

P.ropor,tion between parts




Harmonic camouflage with the envi - ronment

Unexpected put an unrelated

element in the middle

AMBIENTATION 5/5

"Flock of birds against a dark sky" by MichaelVigliotti

Course of Generative Design - Celestino Soddu & Enrica Colabella

Politecnico di Milano A.A. 2013 - 2014